The Lancashire Hotpots – He’s Turned Emo slidshow

Update: Jesus guys, have a little sense of humour!

Industrial Bass Machine – A Taste Of Armageddon Label: Joey Boy Records Catalog#: JB3047 Format: CD, Album Country: US Released: 1998 Genre: Electronic Style: Breaks, Electro

Dancing To My Grave

On location with Premier Guitar at the NY Amp Show.

just me hangin around

Dj Lotus V mixing @ Luxure Club

Aradia bellydancing her wicked new style which includes popping and locking with bellydance to industrial sounds! This was filmed in 2007 at the Canberra Multicultural Festival.

It’s cartoon time again boys & girls! This video contains more lost TV cuts from The Spandex Twins video collection. It’s…….. OUTSTANDING.

Sören Hermansson performs “Deanimator”, for solo horn and electronic music, by composer Marcus Fjellström. Premiered in Båstad, Sweden, in June 2010, at the Båstad Chamber Music Festival. Recension från Piteå Festspel 2010: Fjellströms Deanimator för Horn och Elektronik framfört av Sören Hermansson är en veritabel omruskning mitt i det romantiska programmet. Övergivna industrilokaler i östra Berlin har inspirerat, likson en idé om “det metalliska som möter det köttsliga” Det är suggestivt och mycket fascinerande.” Norrbottenskuriren Says Marcus Fjellström: Deanimator is a nine minute piece for solo horn and electronic music. It was commissioned by the internationally renowned horn player Sören Hermansson through Rikskonserter in 2008. There is a man-machine theme running through Deanimator, as my intentions were “to fuse the organic with the mechanical, the natural with the artificial, the metal with the flesh”. I have always been fascinated by the relationship between the human performer and the electronic music in performances like these, and I wanted to combine these two in an organic, physical, almost visceral way, as the EAM part evokes physical aspects such as the electric, the mechanical and the metallic, juxtaposed with the organic and warm physicality of the horn player(the metallic and mechanical aspects of the horn instrument itself being the mediator). The man-machine theme, as well as the echoes of industrial music within the piece, was in part inspired by …